Shakuhachi flutes of increasing length laid out for size comparison

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Shakuhachi Flute Keys & Sizes

Shakuhachi are measured in shaku and sun, the traditional Japanese units of length, and each size sounds a particular key. The table below lists the traditional model sizes with their Japanese names, keys and lengths.

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How Shakuhachi Are Sized

The name "shakuhachi" itself comes from a length: isshaku hassun, one shaku and eight sun, the 1.8 flute that sounds a D and is the traditional size for study. Shorter flutes sound higher and feel quicker under the fingers; longer flutes sound lower, with the wide finger-spacing and deep, breathy tone prized for meditative honkyoku playing. When choosing a first flute, most students begin with the 1.8 (D) before exploring longer or shorter sizes.

Traditional Model Sizes

KeyJapanese NameSizeLength
GIsshaku San Sun1.340.0 cm
F♯Isshaku Yon Sun1.443.0 cm
FIsshaku Go Sun1.546.0 cm
EIsshaku Roku Sun1.648.5 cm
E♭Isshaku Nana Sun1.752.0 cm
DIsshaku Ha Sun1.854.5 cm
C♯Isshaku Kyu Sun1.959.0 cm
CNi Shaku2.062.5 cm
BNi Shaku I Sun2.166.0 cm
B♭Ni Shaku San Sun2.370.0 cm
ANi Shaku Yon Sun2.475.0 cm
GNi Shaku Nana Sun2.784.0 cm

Reading the Names

In the Japanese names, isshaku is one shaku and ni shaku is two; the following word gives the number of additional sun — san (three), yon (four), go (five), roku (six), nana (seven), ha (eight), kyu (nine). So a 2.4 flute is ni shaku yon sun — two shaku and four sun — and sounds an A.

Length, Pitch and Playability

Every increase in length lowers the pitch and widens the spacing between the finger holes. A short 1.4 or 1.5 flute is quick and bright, with holes that fall easily under a smaller hand; a long 2.4 or 2.7 sits much lower, with a broad, breathy voice and a reach that asks the fingers to stretch. This is why the choice of size is partly musical and partly physical: the flute has to fit both the repertoire you want to play and the span of your hands.

Players exploring the meditative honkyoku repertoire often gravitate toward the longer flutes, whose deep, sustained tones suit slow, breath-led phrasing. Those drawn to ensemble or folk playing frequently keep a 1.8 close at hand, since so much of the shared repertoire is written for it. Many players eventually own several flutes in different keys, choosing among them the way a singer chooses a key that flatters a particular song.

For more on how these lengths relate to pitch and playing, Encyclopaedia Britannica offers a helpful overview. To discuss which size suits your hands and your repertoire, see the flutes crafted by Peter Ross and the order page.